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Just like the previous Drawgirl step, this is more of the same. At a quick glance, there does not appear to be too much difference between this step and the previous one, however, upon closer inspection we note that most of the empty areas on her shoulder are filled in with more straight arty strokes. These strokes in all of the tonal underpainting steps, are conforming to the shape of the model. They are deliberate and not haphazardly placed.
Your tonal drawing continues still in... Step 7.
Go To Step 7
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